The atmospheric, dark and moody cover art for 1476's A Wolf's Age is deceptive. The first track, Anno Domini, holds more Green Day energy than Bauhaus skulk. Dynamic and rollicking, the song contains elements of Australia's Living End.
Swallow the Sun is driven by abrasive guitars and insistent drumming, with consistently atmospheric vocals. Son of the Hunter pursues an alt-country vibe, which is totally unexpected. This is not Lucid returns to the rockabilly punk style of the album's beginning, lyrics delivered with a shot of acid. follows the same path. Dithyramb does the same.
Evoke You is a stand-out track which diverts from the traditional genre path and delivers something more unexpected and vitriolic; the melody changes, using lots of minor chords, takes the song into a darker place than the rest of the album. I am reminded of The Clash; not in style so much as the energy coming from this track is similar. The bass takes a front seat and, in some quieter moments, helps the drumming to develop a sense of drama.
Herne's Oak takes yet another route, with dark resonant vocals a la Dave Gahan, double-kick drumming, HUGE guitar wall of sound. This song takes me back to the big rock sounds of '90s bands like Stone Temple Pilots, Live and The Screaming Trees.
Oriens Astrum returns to the rockabilly punk vibe, with metal guitar leading into the chorus. The Demons in the Circle adopts the radio-friendly alt-country style once more. The Cleansing Scourge amps it up again. Medicine Man...now here's a track I can get into. What a sexy down-home Bon Temps style; gentle groove, slide guitar, acoustic guitars...until the chorus, which reminds me a little of Kings of Leon. I would've loved to see this song continue the vibe it started with; the verses are fantastic.
Speaking of Bon Temps, Der Vampyr takes alt-country to its luscious Nick Cave potential. Melancholic, dark, sublimely deep vocals, great lyrics...now THIS is a band I would pay good money to see. This song has presence, takes its time and is individual enough to avoid genre stereotyping. I adore this track. Adore the swamp it seduces me into.
The Wanderer's loud guitars rip me out of my cosey dark cocoon, which I didn't want to leave so quickly. Closed Casket Heart ends the album with some acoustic guitar-induced swaying and swooningly powerful vocals. Like something you'd hear in an Irish pub at 2am. Darker than a ditty.
Overall, this album is enjoyable, but I can't say you'd love it if you like Green Day or Nick Cave or any other band. It has moments of punk rockabilly aggressiveness, then subtle, beautiful and memorable moments of pain and longing. Which means, I can't stereotype this band. Which means I like it.
If you'd like to find out more about 1476, an American band unheard of as yet in Australia, visit their website which has all their related links to MySpace, Facebook and Twitter profiles.
30 June 2010
29 June 2010
Save the Regent Theatre
If you follow me on Twitter, you would know by now that the impending destruction of Brisbane's Regent Theatre is, quite frankly, really pissing me off. A venue which not only houses some of my more memorable teenage experiences on my way to becoming a film buff, but which was also a regular venue for my Dad when he lived in West End in the '50s.
The theatre, which was later converted into a cinema, opened on Friday 8 November 1929. It is a gorgeous example of deco architecture, particularly the Regent Showcase Theatre, which the developers plan to turn into a shopping mall with offices above.
I particularly recall when The Regent was used to its absolute best as a cinema: showing an approximately four hour digitally re-mastered version of Lawrence of Arabia, with two intermissions. I've dressed up as Magenta and danced to The Rocky Horror Picture Show in the front row. It has also been the home of the Brisbane International Film Festival every year since its inception.
On top of all this, it's a sublimely beautiful building and, despite developers arguing to the contrary, it is not enough to salvage the foyer and demolish the rest of the building. The Regent Theatre foyer leading to...a store? Fuck off.
On Saturday 26 June 2010, Distaudio and I headed off to the Rally for the Regent in Brisbane's CBD. We rallied. We asked people to sign petitions. Later, we sat in the foyer of the theatre and had a coffee at Aromas. While we were there, so many tourists, out of towners, and locals walked up to the theatre doors - which are locked shut - peering in, wondering what was happening. When we told them, they were devastated. They were absolutely appalled that our governments (local and state) would allow this to happen. One woman from Napier, the art deco capital of New Zealand, actually started to cry just thinking about the complete disregard for architecture displayed by our governments. Some people from Melbourne said with pride that, when The Regent Theatre in Melbourne was threatened, there was no WAY the people of Melbourne would allow that to happen. They were disgusted in the Brisbaneites who don't give a damn. Some tourists from China were shocked that our governments would so willingly give up our heritage. "You sell your culture?" one girl asked me, in disbelief. Everyone thinks that this impending development is beyond ridiculous, beyond tragic, and I for one am disgusted that not our Lord Mayor Campbell Newman nor our Premier Anna Bligh will save The Regent once and for all, in its entirety.
I grew up in the '80s, when then Premier Joh Bjelke-Petersen used to hire the Deen Brothers to come into Brisbane under the shadow of night to demolish heritage buildings in our CBD. I mistakenly thought the Queensland Government had grown since these times of corruption, but it seems now it's just done in broad daylight instead.
BUT...
It's still not too late to reverse this decision. What can you do this month and during early July to save The Regent?
There's also a gig at The Globe on 10 and 11 July, headlined by Wolfmother on the 10th and Katie Noonan on the 11th. Your participation would be appreciated.
We who care about preserving Brisbane's architectural heritage would love you to help us reverse this decision, so please sign the petition and write to Bligh now. We have no time to waste!
Here are some photos from Saturday's Rally for the Regent, organised by Jason Sharland and supported by Aidan McLindon, who has provided his support for the petition. Thanks so much to everyone who joined us in making this important statement.
The theatre, which was later converted into a cinema, opened on Friday 8 November 1929. It is a gorgeous example of deco architecture, particularly the Regent Showcase Theatre, which the developers plan to turn into a shopping mall with offices above.
I particularly recall when The Regent was used to its absolute best as a cinema: showing an approximately four hour digitally re-mastered version of Lawrence of Arabia, with two intermissions. I've dressed up as Magenta and danced to The Rocky Horror Picture Show in the front row. It has also been the home of the Brisbane International Film Festival every year since its inception.
On top of all this, it's a sublimely beautiful building and, despite developers arguing to the contrary, it is not enough to salvage the foyer and demolish the rest of the building. The Regent Theatre foyer leading to...a store? Fuck off.
On Saturday 26 June 2010, Distaudio and I headed off to the Rally for the Regent in Brisbane's CBD. We rallied. We asked people to sign petitions. Later, we sat in the foyer of the theatre and had a coffee at Aromas. While we were there, so many tourists, out of towners, and locals walked up to the theatre doors - which are locked shut - peering in, wondering what was happening. When we told them, they were devastated. They were absolutely appalled that our governments (local and state) would allow this to happen. One woman from Napier, the art deco capital of New Zealand, actually started to cry just thinking about the complete disregard for architecture displayed by our governments. Some people from Melbourne said with pride that, when The Regent Theatre in Melbourne was threatened, there was no WAY the people of Melbourne would allow that to happen. They were disgusted in the Brisbaneites who don't give a damn. Some tourists from China were shocked that our governments would so willingly give up our heritage. "You sell your culture?" one girl asked me, in disbelief. Everyone thinks that this impending development is beyond ridiculous, beyond tragic, and I for one am disgusted that not our Lord Mayor Campbell Newman nor our Premier Anna Bligh will save The Regent once and for all, in its entirety.
I grew up in the '80s, when then Premier Joh Bjelke-Petersen used to hire the Deen Brothers to come into Brisbane under the shadow of night to demolish heritage buildings in our CBD. I mistakenly thought the Queensland Government had grown since these times of corruption, but it seems now it's just done in broad daylight instead.
BUT...
It's still not too late to reverse this decision. What can you do this month and during early July to save The Regent?
- Sign THE PETITION now!
- Write to the Premier of Queensland asking her to save the entire Regent Theatre complex, including the Showcase Theatre.
- Read more about The Regent's plight on Brett Debritz' website.
- Join the Facebook page to receive info.
- Make up your mind about who is responsible for this farce.
- Inform yourself: type into Google "Regent Theatre" + Brisbane and plough your way through the many blog entries and forum discussions on the matter. Here's one example.
- Follow Save the Regent on Twitter.
There's also a gig at The Globe on 10 and 11 July, headlined by Wolfmother on the 10th and Katie Noonan on the 11th. Your participation would be appreciated.
We who care about preserving Brisbane's architectural heritage would love you to help us reverse this decision, so please sign the petition and write to Bligh now. We have no time to waste!
Here are some photos from Saturday's Rally for the Regent, organised by Jason Sharland and supported by Aidan McLindon, who has provided his support for the petition. Thanks so much to everyone who joined us in making this important statement.
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