14 September 2011

Interview : DZ Deathrays

Last week, I attended Big Sound Live to check out some new music talent, along with swarms of industry folk and music fans. One of the bands that impressed me was local Brisbane duo DZ DEATHRAYS.

When I ask drummer Simon Ridley how DZ DEATHRAYS got on the Big Sound line-up, he tells me "we walked into their office, smashed our resume down on the director's desk and said, 'That's your line-up!'. I know he's probably being sarcastic, but this encapsulates the aura of casual acceptance these guys have about the attention they've been grabbing since Big Sound showcases were held.

Twitter and the music media alike have been abuzz raving about Simon and vocalist/guitarist Shane Parsons. In what seems to be a typical downplaying of this hype, Simon told me he thought their showcase went pretty well, "although I fucked up a few times, but no one threw anything at us".


When I was watching their gig in Bakery Lane (in the carpark behind the Doc shop, to locals in the know...Simon and I agree more parties should happen there) the crowd consisted of loads of girls thrashing down the front, boys with pretty hair holding back a bit, and music talent spotting folk all up the back drinking and checking their iPhones (of course). The girls were going a bit crazy over these two. I think from a music marketing perspective, they've got that mix of cuteness, attitude and being easygoing that makes industry types salivate.

There they were on stage, throwing this amazing music at us, with their big hair, lots of strobe lights and absolutely infectious grooves, and there seemed to be a 'bit' of onstage beer swilling. Yes, the duo enjoys a tipple, as I heard them discuss on 4ZZZ this afternoon, and this comes through in a few of Simon's responses. When I asked which bands he'd seen at Big Sound Live, he says "I saw Tiger Beams. They weren't really on the line-up, but they were my favourites. I didn't see that much as I was kinda doing a lot of bar work that night..."

Music is evidently the basis for a lot of fun for Simon and Shane. He says the duo is a party band, so "going out with friends and hazy memories" create the inspiration for their music. When he cites The Bronx, Nirvana, Death From Above 1979, Portishead and Massive Attack as favourites, I'm a bit surprised by his inclusion of the last two; frankly, I was expecting at least a nod to '80s hair metal. I find it fascinating to learn from musicians what music inspires the music they create. When asked to describe their music in five words, Simon says:

"Thrash music for house parties."

I'm sure they've played at a few too. It's obvious DZ DEATHRAYS has great local fan support, but Simon tells me Brisbane musicians also really support each other's bands, regardless of genre. I asked him what challenges have faced them so far, being located over here, away from the rest of the world.

"Australia is one of the most isolated continents in the world, so travelling is expensive.

"But that's kinda where being a two piece helps out, [although] it's very limiting musically as we can't just add in extra melodies on top of the others very easily.

"I guess we've just done everything we could to the best of our abilities, like working full-time jobs to pay for tours."

There are so many people out there in the industry telling young bands what they need to do, who they need to hire etc to succeed. I asked Simon for his take on this, for some advice for bands seeking to get their music known. Apart from telling me that deciding on a music career is "literally financial suicide, but a lot of fun", he says loyalty is an important aspect when working with others to promote your band.

"The more people you have working for you means the more people out there pushing your music," he says.

"The most important thing I feel is picking the right people, so once you start working with them they will stay working with you from the bad days to the good (if there are good)."

Having just returned from a UK tour, I asked Simon how overseas audiences have responded to their manic brand of aural assault.

"The experiences have been amazing, as we've always dreamed of travelling and playing music," he says.

"As far as the reactions go, it's been really varied; we've played shows in New York to literally four people and then 400.

"In the UK, the response has been just incredible: we went over there with nothing and came back with label deals and an amazing booking agent...it kinda felt like a Disney movie."

I'm happy to say there's nothing very Disney about these two. They seem to be just a couple of cool guys who like a good time and love creating sounds that tell your body you'd better bloody dance/thrash/groove or else. Oh, and they don't mind blasting faces off either.

If you're interested in seeing what everyone is now talking about, they're playing at Brisbane's Alhambra Lounge this Saturday night (doors open at 8pm on 17 September). This'll be their last gig before they head off on a European tour in October in support of their EP's (Ruined My Life) release over there. After they're finished that, they'll then return to Australia to start on their debut album. Whew. I'm exhausted just writing that! I wish the band good luck, good fun and minimal hangovers. 

Check out:
DZ DEATHRAYS on Bandcamp
DZ DEATHRAYS on Facebook
DZ DEATHRAYS on MySpace
DZ DEATHRAYS on Tumblr
DZ DEATHRAYS on Twitter

12 September 2011

Big Sound Live 20110908

DZ Deathrays @ Bakery Lane
So, I've already written about the first night of Big Sound Live...you might want to read that first for context. Now we get on to the business of the second evening's showcases.

My picks for Thursday night ended up being difficult to stick to, if purely for the reason that my feet no longer felt attached to my body after the first night's shenanigans. Missed Jakarta completely and ran straight to see DZ Deathrays at the open-air Bakery Lane venue.

Brisbane's DZ Deathrays blew my mind. A two-piece metal explosion featuring a crazed hair monster singer/guitarist and an Animal-inspired drummer. (If you've never seen The Muppets, that's not my problem.) The punters at this gig were going absolutely mental. Mind you, I noticed lots of girls headbanging and lots of boys minding their hairdos... Nevermind the audience, the band was a lot of fun to watch and made a lasting impression.

Pluto Jonze @ Rics
Next up, I caught The Mercy Beat at the Tempo Hotel. Power rock, good calibre. I'd like to see these guys again in a different venue. The Tempo's not my favourite and the standard - or lack thereof - of punters on the night detracted from the gig. You can only have so many drunk girls fall into you before it impacts upon your ability to provide a reasonable assessment of the band's skills.

The Adults disappointed entirely: I couldn't help but feel they were lacking in presence and that their music was bland and predictable. Perhaps I'm biased: the band features the Shihad frontman and sounds nothing like Shihad. I suppose I came to the gig expecting something else.

My award for the weirdest band at Big Sound Live has to go to Pluto Jonze, who I caught at Rics on their teeny weeny stage. I'm a theremin hound, so any band sporting one interests me to begin with. When the band fails to utilise the theremin entirely throughout their music, the theremin becomes a gimmick. And I don't like gimmicks. Regardless, the band grooved through the few songs they managed to perform due to too lengthy a soundcheck. Highlight was Triple J's Richard Kingsmill standing directly in front of me, impeding my view. If it'd been anyone else...but I let him get away with it.

Dubmarine @ The Zoo
Why didn't more people catch the Dubmarine show at The Zoo? The band was amazing, sporting a feelgood, love the world, hippy vibe. The scent of ganja seemed smeared on everyone in the crowd...I think the band might appeal to stoners? Anyhow, their musicianship was spot on, vocals delivered with passion and energy. I grooved through this show before I had to run across the road to see Floating Me. Special mention must go to the bass man's 'O' face.

I've missed several gigs by Floating Me lately, so I felt destined to see this show. Starting after what felt like a painful soundcheck, the band was plagued by mix problems throughout their entire gig. This must've been disappointing to them, but nonetheless they powered through. Their music and onstage presence is reminiscent of '90s Seattle bands, and they've got a great, dirty bass sound. The lead singer's vocals soared, but the set did start to drag toward the end and I lost interest about halfway through. I think the bad mix just got to me, as it seemed to get to the band.

All in all, the second night of live music wasn't as impressive as the first, but I still found a couple of new favourites: DZ Deathrays and Dubmarine.

I should have some interviews with my favourite bands from Big Sound Live coming up over the next month, so you can find out more about them and their music.

Here are some more photos from the night.

Some of the wall erotica @ Electric Playground

The Mercy Beat

Dubmarine 

Dubmarine 

Floating Me

Big Sound Live 20110907

Brous @ Woodland
Big Sound, for those not in the know, is a Brisbane music conference held in September each year to which music industry types from all over the world come to see Australian bands showcased and to talk about relevant industry topics.

Big Sound Live is the live show element, held across two nights and multiple venues in Brisbane's Fortitude Valley.

This year, I was fortunate enough to obtain a media pass for Big Sound Live.

I sat down with my Big Sound Live timetable and picked bands I thought would be interesting, based on the one song of theirs featured on the artist profile page. This is what my schedule looked like. As you can see, my feet would suffer from walking between venues all evening.

First up, Brous played at The Woodland Bar. What a spellbinding performance. Part 1960s French chanteuse, part early Goldfrapp, I thoroughly enjoyed watching Melbourne musician Sophia Brous enchant her way into the hearts of participants on the first night of Big Sound Live.

The Laurels @ The Aviary
Next up was a jump across the street to The Aviary where I saw Sydney four-piece The Laurels, whose brand of psychedelic shoegaze had me hypnotised. The venue was packed out, so there must've been a significant amount of industry buzz about these guys.

Boy in a Box was playing down the road at Bakery Lane, and although I only caught a couple of songs, I wasn't overly impressed. Citing The Clash as an inspiration is probably a dangerous thing to do with someone like me, as I'm a Clash maniac. I found the set adequate, but missing anything special. 

Adalita performed next at Electric Playground, where I spent most of the night bemused by the drink hostesses in hotpants and stilettos with these weird little hats pinned to their heads. What can I say? I'm from the Magic Dirt generation, and what I saw from Adalita on Wednesday night was, simply put, sad. I'm not sure what the overall aim was for the set, but it felt incomplete, unrehearsed, unprofessional. While I love Adalita's voice and talent, this was not her best show.

Adalita @ Electric Playground
Next, I was running up to the other end of the Valley back to Woodland Bar to see Redcoats. Oh. My. God. What an amazing band! Their brand of '70s-style Sabbath power rock, combined with frontman Emilio's abundant charisma, engaged the room like no other band I'd seen that night (or at the rest of Big Sound Live). Incredible. Inspiring. You will not be sorry if you book this band as a support spot for an international act; they can really carry their own onstage.

Unfortunately I completed missed Strangers. I'd been looking forward to seeing them but the Redcoats gig overlapped. Shame. I wanted to see the talent behind that impressive handlebar moustache...

I caught a few songs from World's End Press at The Zoo. Do bands get any more retro than this? I thought I was standing there watching Orange Juice perform in the mid '80s. Cool band, if that's what you're into.

The Novocaines @ The Aviary

The Novocaines. What can I say? Their show at The Aviary was my favourite of Big Sound Live. Dynamic. More than energetic...explosive. The frontman powered through the set writhing with tension. I was disappointed that more punters at the gig didn't get into the spirit, although three guys down the front more than made up for it. Punk rock at its finest. Brilliant. I could see this band a thousand times and I'd never tire of them.

The last three bands of the night perhaps suffered at the hands of The Novocaines blowing my mind, but for incredibly hyped bands, none impressed me in the slightest. While all three bands seem to have adoring followers, they simply weren't my cup of tea. Calling All Cars and The Vasco Era didn't register at all, and Velicoraptor...well, I just thought I'd accidentally gone to a Beatles revival gig.

Too derivative. Not enough of themselves in the music to make it lovable. Having said that, Velicoraptor packed out Electric Playground. Lots of 'faces'. I get it - I was once a '60s revivalist back in the '80s as a teen. I just think bands back then, like The Stems, did it better. Or did it just annoy me that, with so many guitars, they could've sounded like Ride, but didn't...? Not sure. All I know is, I didn't stay for long.

The first night of Big Sound Live was so much fun. I also got to meet a Twitter pal I'd never met in person before: Mr Brandle, your hair is as lovely in person as it is in photos. It's a pity I didn't get a full media pass so I could share info from the conference with you all. Maybe next year! So, favourite bands of the night were: Brous, Redcoats and The Novocaines.

Here are the rest of my photos I took on the night (with my little Sony CyberShot...I am in no way or form a professional photographer, so no hating, ok?).

The Vasco Era

Brous 

Brous 

The Laurels

The Laurels

Photographer Stephen Booth taking pics of The Laurels

The Laurels

Adalita 

Redcoats 

The Novocaines

The Novocaines

The Novocaines

The Novocaines

The Novocaines